Q. Tarantinos Use of Different Film Elements in Kill Bill and Pulp Fic

Q. Tarantinos expend of Different Film Elements in scratch off Bill and Pulp fictionalization Quentin Tarantino has phthisisd the lightning, colour, sound, camera, mise-en- gibe, iconography, speed of editing and special effects in exhaust Bill and Pulp Fiction to befuddle the auditory sense want to stock up on watching. These film elements prevail been used very effectively by the director in the openings of both films to build audience interest. The first grammatical construction lightning was very helpful in building interest in Kill Bill. The opening video of Kill Bill is in black and white. It was primarily coloured but the critics have decided that the blood which appears in this scene is too offensive and have censored it. The best way to make the blood less visible without remaking the beginning of the film was to use black and white. It has a dramatic and disturbing effect on the audience because of the negative atmosphere the scene gets them into the audience feels danger, suspense. In the opening scene lightning has been used to characterise the woman. The light is natural it comes from the windows in the church where the scene is set. The womans face is half lit but the separate half is black. This was probably shown to symbolise her two sides good and bad. It gives the audience an acuteness into the womans character it tells them that she does have an evil side. At this vizor the audience might have a good reason to pass on watching to find out those two sides of the woman they have just met. The first scene of Kill Bill confronts the audiences idea on what wedding should look like. The woman, which is heavily beaten up is wearing... ... it interesting, full of iconography, dynamic effects, original sound etc. the director create himself a great tool for keeping the audience until the whole plan is justified. A non-linear plot is also u nique to films directed by Quentin Tarantino, by whom this style has been developed. If I was Quentin Tarantino, I would call my new film contradiction in terms. I think that it would fit the Tarantino style of involvements in the wrong order. It associate with the theme of paradox, for example one thing denies another, but that other thing seems true. The same can be spotted in Tarantino films the end is at the beginning and the beginning at the end, so what is the beginning and what is the end in reality? Although the narrative is non-linear, in Tarantinos films there is always a clear key, consequence that justifies the plot.